The Stranglers, G Live (again)

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Ahhh, The Stranglers – Guildford’s very own men in black are back for another trip down memory lane at G Live.

In fact, it’s their fifth March gig in five years at G Live – and it kind of shows, just a little.

Tonight, after a turn by tour mates The Alarm, we’re treated to the band’s 1978 album Black and White in its entirety.

Never ones for airs and graces, it’s 45 minutes until Stranglers frontman Baz Warne so much as goes near the mic between numbers.

“If you were a bit confused by that, you didn’t buy the f*****g album in 1978, did you?” he sneers in a broad, Mackem yammer.

Turning to JJ Burnel, bassist and RGS old boy, Warne adds: “He [Burnel] says you’re a bit less constipated tonight.”

It’s the closest thing this crowd are going to get to a compliment tonight.

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The music’s as good as ever though. Raw, raucous and simmering with the same righteous anger that so defined the band during the late-70s.

Tank’s driving chords, manic keys and yelps of “I can drive [drive!] my very own tank!” segue effortlessly into the brilliantly grotty Nice N’ Sleazy, propelled by one of Burnel’s signature bass riffs.

It’s undoubtedly a treat for devotees, but it comes at a price. The first half of the show, illuminated only in monochrome, just feels a little flat.

The bonkers Norfolk Coast and gnarly Lose Control get things back on track, followed up by a boisterous rendition of Always The Sun, heralding the first singalong of note of the evening.

And it’s to the band’s credit the momentum only builds further, closing out the main set with I Feel Like A Wog and the anthemic Something Better Change, which feels as relevant now as it did in 1977.

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There’s no Jet Black tonight, the band’s septuagenarian drummer and founder member above whose offie in Guildford the band formed in the 70s – and whom they welcomed back for a few numbers during last year’s show at G Live.

Equally conspicuous by their absence are a handful of the band’s best known songs, namely Duchess, Hanging Around and Golden Brown.

The biggest cheer of the night though is reserved for encore opener Peaches. It’s a filthy tune, underpinned by another one of Burnel’s masterful squally basslines and Warne’s sleazy snarls.

There’s just time for No More Heroes and that’s it. It’s another typically brash, brusque and belligerent Stranglers performance.

But it’s hard not to feel this annual pilgrimage may just have lost its way a little – and that the band’s hometown faithful deserved a little bit more than they got.

James Chapple

Originally published on Get Surrey, 15/03/16

The Stranglers, G Live

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Steve Porter, TMS

The Stranglers made an uproarious return to Guildford on Thursday (March 5) with a triumphant, hit-laden homecoming at G Live.

Some 40 years after founder members, Guilfordian drummer Jet Black and and singer Hugh Cornwell, met in the mid-70s, the band led hundreds of devotees on a career-spanning trip down memory lane at the venue in London Road.

Pounding renditions of the ubiquitous Golden Brown, with its skittish harpsichord swells, and sleazy stomper Peaches are obvious highlights, although No More Heroes was conspicuous by its absence.

It was back in 1974 that Black, real name John Duffy, and Cornwell formed The Guildford Stranglers, who were initially based out of The Jackpot, the off-licence run by the enterprising young Black.

The duo soon recruited bassist Jean-Jacques Burnel, a former Royal Grammar School pupil, who was joined by guitarist Hans Wärmling and keyboardist Dave Greenfield.

But after penning some of the band’s most immediately recognisable numbers, Cornwell later bowed out in 1990 and was replaced by Paul Roberts before Mackem Baz Warne took centre stage in 2006.

“Last time we were here, youse all said you couldn’t understand me, man!” drawls Warne in his thick Wearside drawl.

“Am I too northern for you?” he jests, shortly after the band walk on Waltzinblack, the opening track from The Stranglers’ 1981 album, The Gospel According to the Meninblack – best remembered as the theme music from eccentric TV chef Keith Floyd’s madcap cooking shows.

It’s almost exactly a year since the band last played G Live, but there are no signs of the band not being welcome back.

Every song is met with rapturous applause, every lyric belted out by a rag, tag and bobtail bunch of fans, many of whom have been with the band right from the very start.

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Steve Porter, TMS

After a high octane set by fellow 70s new wave punks The Rezillos, Warne and co rip into The Raven with its swirling synths, pulsing bassline and staccato guitar riff and also I’ve Been Wild, which despite being one of the band’s (relatively) newer numbers has a big, brash chorus befitting any Stranglers classic.

Deputising on drums, Jim MacAulay stands aside midway through the band’s set to allow sticksman Black to take the limelight, cue pandemonium as Black counts in Baroque Bordello, which sounds like some kind of demented fairground ride led by Greenfield’s synths.

Immediately, the lights go up around G Live, bathing the venue in a warm golden glow – everyone knows what’s coming, but the iconic harpsichord intro of Golden Brown is enough to make even the most hardened Stranglers fan’s hairs stand on end.

The song leaps and jolts between time signatures from phrase to phrase, an ode both to the tangled mind of a desperate heroin addiction and Cornwell’s fascination with a mysterious temptress. It’s long been heralded their greatest accomplishment, and with good reason.

Black remains on the drums for an equally well-received airing of Always The Sun, sparking another deafening sing-along to its soaring chorus, and also Genetix.

The run-in sees the band drop a squelching, grimy version of Peaches, propelled by Burnel’s burbling bass and Warne’s scabrous sneers, before the set is rounded out with Duchess, Lost Control, Curfew and finally Down in the Sewer.

With time in hand, there’s just room for an encore featuring Hanging Around – but there is no place in the set, oddly, for the anthemic No More Heroes, which elucidates a few murmurs of discontent from the masses.

It’s the only blot on an otherwise exultant homecoming for The Stranglers.

James Chapple

Originally published on Get Surrey, 06/03/15